Isolato

lay waste with fire the heart of man

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Lately, I’ve become accustomed to the way
The ground opens up and envelops me
Each time I go out to walk the dog.
Or the broad-edged silly music the wind
Makes when I run for a bus…

Things have come to that.

And now, each night I count the stars,
And each night I get the same number.
And when they will not come to be counted,
I count the holes they leave.

Nobody sings anymore.

And then last night, I tiptoed up
To my daughter’s room and heard her
Talking to someone, and when I opened
The door, there was no one there…
Only she on her knees, peeking into

Her own clasped hands.

Amiri Baraka, “Preface to a Twenty Volume Suicide Note”

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There are days I want to track down God,
point to my life, and yell
“None of this was part of my Goddamn plan!”
But I know he’d just shrug and say, “I’m sorry.
I never meant to give the impression that this
would be easy. I know none of this
is easy.

But that’s why I invented time. It’s a slow,
steady promise. If you just hold on,
just white knuckle grip keep breathing,
time will take you far enough away
from anything. It’s a blessing.
It will heal you if you let it.
Clementine von Radics
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Whenever I’m asked why Southern writers particularly have a penchant for writing about freaks, I say it is because we are still able to recognize one. To be able to recognize a freak, you have to have some conception of the whole man, and in the South the general conception of man is still, in the main, theological.

That is a large statement, and it is dangerous to make it, for almost anything you say about Southern belief can be denied in the next breath with equal propriety. But approaching the subject from the standpoint of the writer, I think it is safe to say that while the South is hardly Christ-centered, it is most certainly Christ-haunted. The Southerner, who isn’t convinced of it, is very much afraid that he may have been formed in the image and likeness of God. Ghosts can be very fierce and instructive. They cast strange shadows, particularly in our literature.

In any case, it is when the freak can be sensed as a figure for our essential displacement that he attains some depth in literature.

Flannery O’Connor, Some Aspects of the Grotesque in Southern Fiction 


 

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There has to be a way of saying “I’m agnostic but I was raised Presbyterian” that captures the idea that even though I am not (and never really was) a practicing Christian in the sense that I had faith, I still grew up going to church and going through the motions and living in the culture of white middle class Protestant Calvinism—without actually having to say all of that.  What I’m trying to express is a sense of Christian culture without the assumption that I am in any way a practicing Christian.  A way of saying that no, I don’t believe, but Judeo-Christian iconography and spiritual poetry still resonate with me, because that is how I was brought up.

I’m thinking about using ‘lapsed Presbyterian’ the way my college roomies described themselves as lapsed Catholics.  Because it was a significant portion of my upbringing even though I was never a willing participant.  Flannery O’Connor’s phrase “Christ-haunted” rather than Christ-centered seems particularly accurate right now; I think we could expand that to describe American culture as a whole, not just the southeast (although some regions moreso than others).

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When [David] finished speaking with Saul, Jonathan’s soul became bound up with the soul of David; Jonathan loved David as himself…Jonathan and David made a pact, because [Jonathan] loved him as himself. Jonathan took off the cloak and tunic he was wearing and gave them to David, together, with his sword, bow, and belt.
1 Samuel 18:1-4 (JPS)

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When gods die, they die hard. It’s not like they fade away, or grow old, or fall asleep. They die in fire and pain, and when they come out of you, they leave your guts burned. It hurts more than anything you can talk about. And maybe worst of all is, you’re not sure if there will ever be another god to fill their place. Or if you’d ever want another god to fill their place. You don’t want fire to go out inside you twice.
The Wednesday Wars by Gary D. Schmidt (via nerd-chic)

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There was no temptation. Temptation lives in silence;
It torments anchorites, oppresses saints,

And on a midnight in May it cries as piercingly,
As a wounded eagle to the young nun.

Anna Akhmatova, “Three Verses” (trans. Judith Hemschemeyer)

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Apollo, the god of light, of reason, of proportion, harmony, number—Apollo blinds those who press too close in worship. Don’t look straight at the sun. Go into a dark bar for a bit and have a beer with Dionysios, every now and then.

I talk about gods; I am an atheist. But I am an artist too, and therefore a liar. Distrust everything I say. I am telling the truth.

The only truth I can understand or express is, logically defined, a lie. Psychologically defined, a symbol. Aesthetically defined, a metaphor.”

Ursula K. Le Guin, “Introduction,” The Left Hand of Darkness, 1976 (via mayhap)

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The Garden

fragmentsshoredagainstmyruin:

He came back shriveled.
Only the furrow behind him in the yellow sand
showed that he was moving.

From their perches the lookouts reported:
something is coming out of the desert.
They gathered on the border.
They pulled him into the world of green.
I am the one you sent, he said.
It was like pincers talking
when he spoke.

Then his head slumped down,
impaled on a willow wand.
He’s not one of us, they thought,
and gazed at his doggish tongue
licking the grass.

What news from the Forbidden, they asked.
It’s all true, he shivered,
and the pincers of his mouth closed shut.

They dropped water onto his tongue and demanded:
Isn’t there a garden on the other side?
Isn’t everything we don’t have in that garden?
Everything you know is true, he rustled.

This isn’t the one we sent, they said,
and slit his vein.
Then the slow grey liquid came oozing out of it,
they were sure
he was a hostile being.
They left him there. (His ribs thinned to
sticks of brushwood.)
They chose a new messenger.

-Dane Zajc (trans. Veno Taufer and Michael Scammell)

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Félicien Rops, Sainte-Thérèse

I saw in his hand a long spear of gold, and at the iron’s point there seemed to be a little fire.  He appeared to me to be thrusting it at times into my heart, and to pierce my very entrails; when he drew it out, he seemed to draw them out also, and to leave me all on fire with a great love of God.  The pain was so great, that it made me moan; and yet so surpassing was the sweetness of this excessive pain, that I could not wish to be rid of it.  The soul is satisfied now with nothing less than God.
-The Life of St. Teresa of Jesus, of the Order of Our Lady of Carmel (trans. David Lewis)

Félicien Rops, Sainte-Thérèse

I saw in his hand a long spear of gold, and at the iron’s point there seemed to be a little fire.  He appeared to me to be thrusting it at times into my heart, and to pierce my very entrails; when he drew it out, he seemed to draw them out also, and to leave me all on fire with a great love of God.  The pain was so great, that it made me moan; and yet so surpassing was the sweetness of this excessive pain, that I could not wish to be rid of it.  The soul is satisfied now with nothing less than God.

-The Life of St. Teresa of Jesus, of the Order of Our Lady of Carmel (trans. David Lewis)

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